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The Day After Tomorrow (2004)

Genre
Action / Adventure
Written By
Roland Emmerich, Jeffrey Nachmanoff
Logline
A climatologist races across the country to save his teenage son as a global superstorm wreaks havoc on the planet.
Why break it down?
I've been meaning to see this little movie called 'The Artist' for quite some time. The reviews have been stellar, my friends enjoyed it, the Academy showered it with awards...yet week after week, I find myself outside the theater having the same conversation:


Of course, I'll see 'The Artist' eventually, but there's something about watching shit explode that I simply can't resist. Say what you want, but action was my first love in cinema and I'll always have a place for it in my heart. Which recently got me thinking...what are some films I loved as a kid that could be useful to break down on ClassAct? After much debate, I settled on a movie I loved in theaters and never saw again until now: 2004's end-of-the-world apocalyptic romp, 'The Day After Tomorrow.'

Roland Emmerich knows how to make a disaster flick, and if that's what you're into, he's a perfect writer to study. 'THE DAY AFTER TOMORROW' IS AN EXAMPLE OF AN UNUSUALLY LONG FIRST ACT, which will allow us to put that section under a microscope and gain a more detailed understanding of its important beats. It's also an example of SUSPENSEFUL EXPOSITION, which we can use to build upon the spectacle-like impact of Plot Point #1. And like 'Love Actually' a few weeks ago, it can teach us about WRITING FOR AN ENSEMBLE CAST, which can be useful for creating detailed B-stories and ancillary plot threads.

So read up, keep an eye out for the beats, and we'll look at the film's structure after the jump. (Click the [+] button for a summary of each scene.)

ACT I
00:00 - 03:00 (3.00 pages) [+]
03:00 - 06:15 (3.25 pages) [+] FLASH-BANG OPEN
06:15 - 08:15 (2.00 pages) [+]
08:15 - 09:00 (0.75 pages) [+]
09:00 - 10:45 (1.75 pages) [+]
10:45 - 12:00 (1.25 pages) [+]
12:00 - 13:45 (1.75 pages) [+]
13:45 - 15:45 (2.00 pages) [+]
15:45 - 16:30 (1.25 pages) [+] ⇡⇣ OPENING EXPOSITION
16:30 - 18:30 (2.00 pages) [+]
18:30 - 19:45 (1.25 pages) [+]
19:45 - 20:45 (1.00 pages) [+]
20:45 - 21:30 (0.75 pages) [+]
21:30 - 22:45 (1.25 pages) [+]
22:45 - 24:15 (1.50 pages) [+]
24:15 - 30:30 (6.25 pages) [+] INCITING INCIDENT
30:30 - 31:30 (1.00 pages) [+]
31:30 - 33:45 (2.25 pages) [+]
33:45 - 34:45 (1.00 pages) [+]
34:45 - 36:00 (1.25 pages) [+]
36:00 - 36:45 (0.75 pages) [+]
36:45 - 38:00 (1.25 pages) [+] ⇡⇣ PREPARE FOR ADVENTURE
38:00 - 38:30 (0.50 pages) [+]
38:30 - 39:30 (1.00 pages) [+]
39:30 - 41:30 (2.00 pages) [+]
41:30 - 42:15 (0.75 pages) [+]
42:15 - 51:15 (9.00 pages) [+]
51:15 - 54:15 (3.00 pages) [+]
54:15 - 60:00 (5.75 pages) [+] PLOT POINT #1
60:00 - 60:45 (0.75 pages) [+]

ACT II
60:45 - 61:15 (0.50 pages) [+]
61:15 - 63:00 (1.75 pages) [+]
63:00 - 66:30 (3.50 pages) [+]
66:30 - 68:00 (2.50 pages) [+] ⇡⇣ FUN AND GAMES
68:00 - 71:30 (3.50 pages) [+]
71:30 - 72:15 (0.75 pages) [+]
72:15 - 73:00 (0.75 pages) [+] MIDPOINT REVERSAL
Midpoint
73:00 - 73:45 (0.75 pages) [+]
73:45 - 75:00 (1.25 pages) [+]
75:00 - 76:45 (1.75 pages) [+]
76:45 - 77:45 (1.00 pages) [+]
77:45 - 78:45 (1.00 pages) [+]
78:45 - 79:30 (0.75 pages) [+]
79:30 - 80:45 (1.25 pages) [+]
80:45 - 84:15 (3.50 pages) [+]
84:15 - 85:00 (0.75 pages) [+] ⇡⇣ ROLL DOWNHILL
85:00 - 85:45 (0.75 pages) [+]
85:45 - 88:00 (2.25 pages) [+]
88:00 - 88:30 (0.50 pages) [+]
88:30 - 89:30 (1.00 pages) [+]
89:30 - 90:45 (1.25 pages) [+]
90:45 - 91:30 (0.75 pages) [+]
91:30 - 92:00 (0.50 pages) [+]
92:00 - 92:15 (0.25 pages) [+]
92:15 - 101:30 (9.25 pages) [+] PLOT POINT #2

ACT III
101:30 - 104:00 (2.50 pages) [+]
104:00 - 105:30 (1.50 pages) [+]
105:30 - 106:15 (0.75 pages) [+]
106:15 - 110:45 (4.50 pages) [+] CLIMAX
110:45 - 111:45 (1.00 pages) [+]
111:45 - 115:30 (3.75 pages) [+] ⇡ RESOLUTION

Analysis
At first glance, 'The Day After Tomorrow' might seem like a big pill to swallow. But stripped down, it's actually surprisingly uncomplicated. Really, the film is no different from any other three-act story…it just operates on a much larger scale, so the plot points are drawn out a bit longer than we're used to. Here are some things to keep in mind while breaking it all down:
1. The first act is unusually long. At 61 minutes, it takes up almost half of the film.
2. The "Fun and Games" section is comparatively short. At 12 minutes, it's more or less just a setup for the "Roll Downhill," which is where the journey really takes off (on page 72).
3. An action beat shows up roughly every fifteen minutes. The film seems to take this as a general rule, regardless of a particular action scene's importance to the narrative (take the hailstorm in Japan, for example). Similarly, a huge action set piece (like the Los Angeles tornadoes, the New York tidal wave, etc.) happens every thirty minutes, almost on the dot.
4. The story jumps back and forth between two main plotlines. There are a bunch of smaller/less important plotlines sprinkled in, but the bulk of the story is devoted to following Jack and his son, Sam.
That being said, 'The Day After Tomorrow' is really a standard three-act film that's stretched out in some places and compressed in others. So without further ado, let's take a look at where the important plot points show up, and briefly talk about why they are where they are:

Flash-Bang Open [+]
Opening Exposition [+]
Inciting Incident [+]
Prepare For Adventure [+]
Plot Point #1 [+]
Fun and Games [+]
Midpoint Reversal [+]
Roll Downhill [+]
Plot Point #2 [+]
Climax [+]
Resolution [+]

1 comment:

  1. I'd like to read this again. Perhaps.... The day after tomorrow.

    http://www.youtube.com/watch?v=PdLIerfXuZ4&ob=av2e

    ReplyDelete