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How To Lose A Guy In Ten Days (2003)

Genre
Romantic Comedy
Written By
Kristen Buckley, Brian Regan, Burr Steers
Logline
Advertising agent Ben Barry has made a bet that he can get any woman to fall in love with him in ten days. Magazine writer Andie Anderson is writing an article about how to get a man to dump her in ten days. When the two meet at a local bar, the tables are set for one hell of a rocky relationship.
Why break it down?
A guy once told me to look at my screenplay like an Oreo cookie. If the crunchy parts on the outside are Acts 1 and 3, he said, then Act 2 is arguably the most important, because it makes up the bulk of the cookie experience and therefore has to be the sweetest part. Once I got over his on-the-nose approach to analogy making (it's like a cookie? Really?), I realized that it's actually not a bad comparison. Writing a screenplay is tough, especially when it comes to the dreaded SECOND ACT; Most people know how they want their story to begin and end, but find themselves dead in the water when it comes to filling up that space in between. And no matter how good Acts 1 and 3 are, if the middle section ain't sweet, your cookie's no good. So what kind of scripts can we study to get a grasp of Act 2? Enter the romantic comedy.

'HOW TO LOSE A GUY IN TEN DAYS' IS AN EXAMPLE OF A RIGIDLY-STRUCTURED SECOND ACT, which can help us understand the basic plot points and directional shifts that typically show up in three-act stories. And as an added bonus, IT CAN ALSO TEACH US ABOUT WRITING FOR (GASP!) TWO PROTAGONISTS AT ONCE.

So read up, keep an eye out for the beats, and we'll look at the film's structure after the jump. (Click the [+] button for a summary of each scene.)

ACT I
00:00 - 01:30 (1.50 pages) [+]
01:30 - 03:15 (1.75 pages) [+]
03:15 - 04:45 (1.50 pages) [+]⇡⇣ OPENING EXPOSITION
04:45 - 05:45 (1.00 pages) [+]
05:45 - 07:15 (1.50 pages) [+]
07:15 - 09:00 (1.75 pages) [+]
09:00 - 12:15 (3.25 pages) [+]INCITING INCIDENT #1 - ANDIE
12:15 - 13:15 (1.00 pages) [+]
13:15 - 13:45 (0.50 pages) [+]
13:45 - 21:00 (7.25 pages) [+]INCITING INCIDENT #2 - BEN
21:00 - 21:45 (0.75 pages) [+]
21:45 - 23:45 (2.00 pages) [+]PLOT POINT #1
23:45 - 28:15 (4.50 pages) [+]

ACT II
28:15 - 31:30 (3.25 pages) [+]
31:30 - 35:15 (3.75 pages) [+]
35:15 - 36:15 (1.00 pages) [+]
36:15 - 37:15 (1.00 pages) [+]
37:15 - 39:45 (2.50 pages) [+]
39:45 - 40:30 (0.75 pages) [+]
40:30 - 41:15 (0.75 pages) [+]
41:15 - 44:30 (3.25 pages) [+]
44:30 - 46:30 (2.00 pages) [+]⇡⇣ FUN AND GAMES
46:30 - 49:00 (2.50 pages) [+]
49:00 - 49:30 (0.50 pages) [+]
49:30 - 53:00 (3.50 pages) [+]
53:00 - 54:00 (1.00 pages) [+]
54:00 - 59:45 (5.75 pages) [+]
59:45 - 60:00 (0.25 pages) [+]
60:00 - 60:45 (0.75 pages) [+]
60:45 - 68:45 (8.00 pages) [+]
68:45 - 72:30 (3.75 pages) [+]MIDPOINT REVERSAL
Midpoint
72:30 - 73:45 (1.25 pages) [+]
73:45 - 78:30 (4.75 pages) [+]
78:30 - 79:30 (1.00 pages) [+]⇡⇣ ROLL DOWNHILL
79:30 - 80:00 (0.50 pages) [+]
80:00 - 83:00 (3.00 pages) [+]
83:00 - 83:45 (0.75 pages) [+]
83:45 - 85:30 (1.75 pages) [+]PLOT POINT #2

ACT III
85:30 - 86:30 (1.00 pages) [+]
86:30 - 87:15 (0.75 pages) [+]
87:15 - 100:45 (13.5 pages) [+]CLIMAX
100:45 - 101:45 (1.00 pages) [+]
101:45 - 102:30 (0.75 pages) [+]
102:30 - 104:45 (2.25 pages) [+]
104:45 - 106:00 (1.25 pages) [+]⇡⇣ RESOLUTION
106:00 - 106:45 (0.75 pages) [+]
106:45 - 110:45 (4.00 pages) [+]

Analysis
So as I mentioned before, one of the interesting things about 'How To Lose A Guy In Ten Days' is that we're given two main characters to follow. Because of this, take note that the inciting incident will show up twice - first for Andie, then for Ben. Let's take a look at where the important plot points in the film show up, and briefly talk about why they are where they are:

Opening Exposition [+]
Inciting Incident #1 - Andie [+]
Inciting Incident #2 - Ben [+]
Plot Point #1 [+]
Fun and Games [+]
Midpoint Reversal [+]
Roll Downhill [+]
Plot Point #2 [+]
Climax [+]
Resolution [+]

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